The traditional music of Venezuela, Mexico and Argentina forms the core of Correo Aéreo's repertoire.  Correo Aéreo performs unique interpretations of traditional vocal and instrumental songs as well as original songs in traditional styles.  Correo Aéreo is riveting sonically and visually, with both members singing and playing multiple instruments through the course of a concert.  Abel plays Venezuelan and Mexican harp, guitar, cuatro, and quinta huapanguera.  Madeleine plays violin, maracas, bombo, and jarana.  Abel sings in a high falsetto for the Mexican huapangos and sones jarochos and the Venezuelan llanera music (music of the plains).  He switches to a lush mid-range in the Argentinian chacareras and zambas.  Madeleine provides a deep, smoky vocal contrast.  The music is richly polyrhythmic due to the African influence.  It has emotional range—it can be percussive and  melodic, haunting and gripping, raunchy and soulful.

From among the hundreds of rich musical styles from Mexico, Venezuela and Argentina, Correo Aéreo plays these most...

Joropos, golpes, polos and merengues played with Venezuelan harp, maracas, cuatro, drum and vocals

Traditions from the Itsmo of Oaxaca and Guerrero, huapangos from La Huasteca and sones of  Sotavento from Veracruz played with guitar, violin, quinta huapanguera, Mexican harp, jarana and vocals

Chacareras, zambas, and milongas played with guitar, bombo and vocals

There are many historically unacknowledged cultural influences in Mexican and Latin American music.  The conquering Spanish were previously imprinted by the African Moorish, Sephardic Jewish and Gitano or Gypsy cultures from India.  With Spanish colonization, these influences combined with the traditions of the ancient indigenous peoples inhabiting the Americas.  Due to the African slave trade, African rhythm and song also permeate Latin America, evidenced in rhythms and common strumming patterns that form a thread through all of Latin America.  The Mestizo and Criollo races emerged from this complex cross-pollination of cultures, creating rich, vibrant and varied musical traditions.  Traditionally, much of it is dance music.  An integral part of the community, the music and dance, eating and drinking, playing,  singing and improvising all night all go together, involving everyone.

For every song of celebration, there is a song of sadness.  Music is one of the most powerful vehicles known to us for expressing our condition.  Sadly, colonialism was built on racism.  Today in the world, racism is still one of our most hideous diseases.  It is so ingrained that it permeates the very structure of our societies.  The legacy of our past is a social and spiritual wound that must be healed.  But the other part of our legacy is the fact that there is so much to learn, respect and love about our different roots.  With each generation, we are also becoming one, penetrating one another, mixing blood, continuing to build culture and create music together.  This is a place where healing can take place, where we can sing the same song together while honoring the differences in who we are.

Copyright © 1999 Correo Aéreo
Site design and hosting provided by
BNS, Inc and Moyra